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DTSTART;VALUE=DATE:20240208
DTEND;VALUE=DATE:20240521
DTSTAMP:20260619T151558
CREATED:20240112T183404Z
LAST-MODIFIED:20240424T194041Z
UID:10001435-1707350400-1716249599@now.fordham.edu
SUMMARY:‘Knife/Paint/Words: The Art of Deborah Ugoretz’
DESCRIPTION:The ancient Kabbalists believed that it was possible to find meaning in the empty spaces around and within the letters of texts. The Japanese concept of Notan views the relationship between negative and positive space as reciprocal and necessary for harmony and balance. These two worldviews deeply influence the artist’s work. Deborah Ugoretz explores these by working with cut paper and painting in acrylics. “The simplicity\, flexibility\, and strength of paper enable me to transform it into multidimensional art with a limitless range of expression\,” she said. \nInspired by the written word\, Ugoretz takes texts—poems\, prayers\, and ancient writings—and translates them into a visual language that infuses those words with deeper meaning because visual language can touch on a richer emotional and intellectual level. One of Ugoretz’s works\, “The Six Days of Creation\,” based on the Genesis story\, uses her theory of color as a comment on the ravages of disposable culture. \nThe exhibit is accompanied by a display of rare books from the Special Collections. The exhibit will be on view until May 20. \nAbout the Artist\nDeborah Ugoretz is a Brooklyn-based artist\, born in Milwaukee\, Wisconsin. She holds a B.S. in fine art from the University of Wisconsin-Madison. Her expressive work deals with the exploration of feminism\, her concern for and fascination with the diversity of the natural world\, and social issues. Since 1978\, Ugoretz has been a master cut paper artist and teacher. Her work was featured in the monograph In the Tradition of Our Ancestors – Papercutting (Folklife Program of the New Jersey State Council of the Arts\, 2006) and the catalog of the exhibition “Slash! Paper Under the Knife\,” held at the Museum of Art and Design in New York from 2009 2010. She has designed stained glass windows and synagogue art for the Russ Berrie Home for Jewish Life in Rockleigh\, New Jersey\, and other houses of worship. Other commissions include the Tenement Museum\, University of Michigan\, Jewish Theological Seminary\, YIVO Institute of Jewish Research\, and the Cathedral of St. John the Divine. \nUgoretz’s work has been exhibited at the Milwaukee Jewish Museum\, the Monmouth Art Museum\, the Hebrew Union College Institute of Religion Museum\, the Philadelphia Museum of Jewish Art\, The Museum of Biblical Art\, the UJA Federation Gallery\, and others. Ugoretz is recognized by the New Jersey State Council on the Arts as a master cut-paper artist.
URL:https://now.fordham.edu/event/knife-paint-words-the-art-of-deborah-ugoretz/
LOCATION:Henry S. Miller Judaica Research Room\, Fourth Floor\, Walsh Family Library\, 441 East Fordham Road\, Bronx\, NY\, 10458\, United States
CATEGORIES:Arts at Fordham
ATTACH;FMTTYPE=image/png:https://now.fordham.edu/wp-content/uploads/2024/01/Screenshot-2024-01-11-at-12.57.52-PM.png
ORGANIZER;CN="Center for Jewish Studies":MAILTO:jewishstudies@fordham.edu
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240222
DTEND;VALUE=DATE:20240303
DTSTAMP:20260619T151558
CREATED:20240116T191323Z
LAST-MODIFIED:20240116T191323Z
UID:10001621-1708560000-1709423999@now.fordham.edu
SUMMARY:Fordham Theatre: The House of Bernarda Alba
DESCRIPTION:Fordham Theatre’s Associate Clinical Professor Dawn Akemi Saito helms Caridad Svich’s powerful translation of Federico García Lorca’s 20th-century tragedy\, set in a cloistered world where a tyrannical mother dominates her five unmarried daughters—all of whom harbor a secret passion for one man—who rebel against their imprisonment in an explosion of passion\, jealousy\, and hatred. Originally set in 1930s Spain\, Saito’s abstract\, impressionistic take\, with scenic design by Fordham Theatre’s Interim Head of Design and Production Mark Wendland\, will parallel the struggles of women now in this cautionary tale of the consequences of oppression. \nPerformances\nThursday\, February 22 | 8 p.m.\nFriday\, February 23 | 8 p.m.\nSaturday\, February 24 | 2 p.m. and 8 p.m.\nThursday\, February 29 | 8 p.m.\nFriday\, March 1| 8 p.m.\nSaturday\, March 2 | 8 p.m. \nTickets\nGeneral: $15\nFaculty/Staff/Alumni: $10\nStudents: $5
URL:https://now.fordham.edu/event/fordham-theatre-the-house-of-bernarda-alba/
LOCATION:Pope Auditorium\, Lowenstein Center\, Lincoln Center Campus 113 W 60th St\, New York\, NY\, 10023\, United States
CATEGORIES:Arts at Fordham
GEO:40.7708109;-73.9851512
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240311T193000
DTEND;TZID=America/New_York:20240315T213000
DTSTAMP:20260619T151558
CREATED:20240119T170641Z
LAST-MODIFIED:20240119T170641Z
UID:10001655-1710185400-1710538200@now.fordham.edu
SUMMARY:Fordham Theatre Studio Thesis Production: Medea
DESCRIPTION:Adapted from Euripides’ original by Cora Therber\, FCLC ’24\, and directed by Cora Therber\, this retelling of Medea is set amid the wreckage of her former family and a city that will never see her as an equal\, prompting her to turn to witchcraft and murder to save herself. \nPerformances\nMonday\, March 11–Friday\, March 15 | 7:30 – 9:30 p.m. \n\n\n\n\n\nStudio Thesis Productions provide directors and playwrights the opportunity to work with a full production team on an up-to-three-performance series. Thesis productions build upon students’ prior experience in repertoire\, as well as in class and mainstage.
URL:https://now.fordham.edu/event/fordham-theatre-studio-thesis-production-medea/
LOCATION:Kehoe Theater\, 113 West 60th Street\, New York\, NY\, 10023\, United States
CATEGORIES:Arts at Fordham
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240312T190000
DTEND;TZID=America/New_York:20240312T210000
DTSTAMP:20260619T151558
CREATED:20240304T163407Z
LAST-MODIFIED:20240304T163407Z
UID:10003306-1710270000-1710277200@now.fordham.edu
SUMMARY:God Bless the Child: A Multimedia Presentation
DESCRIPTION:At this multimedia event in collaboration with Microscope Gallery and UnionDocs\, Fordham students taking “Connection and Context: An Introduction to Art and Engagement” will show work in a program together with internationally acclaimed experimental filmmaker Christopher Harris. A special video installation and performance by Fordham students\, featuring interviews\, field recordings\, and images of historical documents related to the destruction of the San Juan Hill neighborhood and Lincoln Square community in the 1950s\, will be followed by a presentation of God Bless the Child\, Christopher Harris’s first autobiographical work. \nIn God Bless the Child\, Harris draws directly from his experience as a foster child. Combining photos\, records\, and other materials from his personal archives with 16mm film footage he recently shot in Senegal\, Harris situates “the carcerality of the social welfare state and child services in relation to Black childhood in the U.S.” within the broader context of the transatlantic slave trade and the French Catholic Church’s colonization of West Africa and the Americas. His hometown of St. Louis\, Missouri\, is presented alongside Saint-Louis\, Senegal\, as fraternal colonized twin cities. \nThe presentation will be followed by an open conversation and Q&A with the audience. \nThis program is supported by a Fordham University Faculty Challenge Grant and Interdisciplinary Research Grant.
URL:https://now.fordham.edu/event/god-bless-the-child-a-multimedia-presentation/
LOCATION:NY\, United States
CATEGORIES:Arts at Fordham
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240318T180000
DTEND;TZID=America/New_York:20240318T200000
DTSTAMP:20260619T151558
CREATED:20240312T213822Z
LAST-MODIFIED:20240312T213822Z
UID:10003668-1710784800-1710792000@now.fordham.edu
SUMMARY:Celebration: 30 Years of South African Freedom
DESCRIPTION:Join us for a concert at the Lincoln Center campus to celebrate the 30th anniversary of the end of apartheid in South Africa and the formation of a democratic government. In this celebration\, we send a reminder to the world about the importance of freedom and democracy—given the political\, human\, and civil rights challenges we face today. \nMusical guest Bongi Duma and his band will feature songs from artists who played a role in spreading the message of freedom and democracy during apartheid. A post-performance panel discussion and Q&A with the South African performers and Zenande Booi\, executive director at the Center on Race\, Law\, and Justice\, will follow the concert.
URL:https://now.fordham.edu/event/celebration-30-years-of-south-african-freedom/
LOCATION:McNally Amphitheatre\, 140 West 62nd Street\, New York\, NY\, 10023\, United States
CATEGORIES:Arts at Fordham
GEO:40.7713958;-73.9844894
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