With words of praise and musical tributes, members of the Fordham community came together on Dec. 7 to dedicate a new suite of on-campus music practice rooms—newly named in honor of Robert R. Grimes, S.J., who was pivotal in the expansion of arts programs at Fordham College at Lincoln Center during his 20 years as its dean.
Attendees included music students, music and art faculty members, donors who supported the project, Fordham President Tania Tetlow, and Father Grimes himself, as well as members of his family. (See related story about the fundraising effort.) They gathered at the Lincoln Center campus outside the Robert R. Grimes, S.J. Music Studios, which opened this fall, providing students with five soundproof rooms designed to enhance their music practice.
Speakers took turns thanking donors and lauding Father Grimes, a former Fordham music professor and a singer himself.
“You have been always a supporter of the arts here, whether that meant the [Ailey/Fordham BFA in Dance program], the theater program, visual arts, and of course the music program,” said Daniel Ott, D.M.A., associate professor of music and chair of the Department of Art History and Music.
Students Finding Their Musical Voice
The gathering took place in the Lipani Gallery, part of a newly renovated visual arts complex adjacent to the five new music practice rooms. In her remarks, Tetlow spoke of “how profoundly Jesuit music is” because of its mix of intellect and passion.
“Know, for all of you who gave to this project, that you are creating a space where every day, Fordham students … are going to literally find their voice and discover what they have to say to the world, and that will be true for the rest of their lives, so thank you so much.”
Father Grimes thanked the donors as well, and said he was “so happy for the students to have something that is so important to any music program.”
In an interview before the event, he said “it’s quite an honor” to be the namesake for the new music suite. “Fordham College Lincoln Center is very, very close to my heart,” he said. “I loved my time there. And so if I’ve left a little of my sense there, I’m very happy for that.”
‘We Need Artists’
The event was emceed by Maco Dacanay, a junior and a music major.
“In this world that we all live in, not only do we need artists, but we need people who are willing to put in the work to become their best selves for the sake of the community,” he said. “These practice rooms grant us the space to put in that work, and for that, I am beyond grateful.”
The five rooms range from smaller rooms for individual practice to larger spaces for ensembles. Their features include recording capability and virtual acoustic environments so that students can hear how they would sound in a cathedral, concert hall, or other settings, Ott said. He noted that the rooms—open 8 a.m. to midnight—are available to all students, not just music majors.
A student group called the Lincoln Center Jazz Ensemble provided background music. Another group of student musicians performed Haydn’s String Quartet in D Major, to applause and cheers. “That just made my day,” Father Grimes said after their performance.
Vincent DeCola, S.J., an assistant dean in the Gabelli School of Business, spoke last, giving a blessing of the new space. “No doubt, we each have experienced the divine in listening to the particular music which enlivens our spirits,” he said.
But before that, he brought the house down with some singing of his own, “with apologies to Misters Gilbert and Sullivan”—an adaptation of the song He Is an Englishman, with lyrics tailored to Father Grimes.
Its title? “He Is a Fordham Ram.”
